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Design

Mappedin Print

Bridging digital and physical wayfinding with automatically generated, print-ready maps.

When
2018–2019
Where
Mappedin
What I did
Product design, User research, User testing, Prototyping
Mappedin Print map and directory files prepared for a physical wayfinding sign

Outcomes

Context

Even with digital wayfinding, malls and airports still needed printed directory maps across their properties. External agencies converted the live 3D map data into print by hand, which took weeks and went out of date whenever a store moved.

Why a 1-click PDF export wasn't enough

We assumed customers wanted a flat PDF export. Interviews with venue graphic designers and tests of early exports in Adobe InDesign showed otherwise.

Infinite zoom vs. a fixed scale

Putting 300 stores on one fixed artboard made store numbers collide inside small units and pushed the legend past 60 digital categories.

Last-mile customization

Production designers needed editable vector geometry, separate icons, and structured directory text in InDesign, not a locked image.

What we shipped

Three editable files that work together

Each export produced a vector PDF map, an SVG of store identifiers and amenity icons, and an XML directory listing that flowed into InDesign templates.

Category mapping with warnings

New stores could drop off the printed legend if their category wasn't mapped. A taxonomy mapper let authors group detailed digital categories into a short print list and flagged any unassigned category before export.

Callout routing and density controls

When a unit was too small to fit a store number readable from standing distance, the placement algorithm routed a lead-line callout into open space. This approach is covered by US Patent US10606532B1, which I co-invented. Layer toggles and section grouping let designers adjust how dense the map looked.

Final notes

Mappedin Print cut signage production time in half. Automatic layout handled the venue geometry and callouts, and layer toggles plus editable InDesign files gave production designers control over the final polish.